Dana Gillespie first made her name as a teenage singer (and songwriter) in the 1960s, with a string of memorable singles and albums for Pye and Decca. In 1971, she teamed up with David Bowie's management company MainMan, joining Bowie at RCA Records. It would be two years before her next record - but it was worth the wait. Weren't Born A Man was a wonderful amalgam of pop, soul and some wonderful songwriting from Dana. The title track, for example, wouldn't have sounded out-of-place on Dusty In Memphis, while Dana's twist on Bowie's 'Andy Warhol' (the song had actually been written for her) was unique. Both these album highlights were issued as singles. Dana swiftly followed up with a second album for RCA, Ain't Gonna Play No Second Fiddle. The recordings were bluesier in places than on its predecessor but still equally impressive. The LP was promoted by a single, 'Really Love The Man', but thereafter Dana parted ways with MainMan before building an enviable reputation as a blues singer of some renown. Issued with the full support and involvement of the artist and MainMan, What Memories We Make is the first proper retrospective of Dana's recordings for MainMan/RCA. Many album tracks make their debut on CD and have been joined by a raft of rarities and previously unissued material.