album starts with a short instrumental with soothing flute played by Margriet. There is a certain cleanness about it, but Edo Spanninga's keyboards are pretty important too, as is the piano. The song shows warmth, and a bit of power too as we find ourselves in "Maureen". The flute plays the main theme, the guitar plays some strong chords. The music is as we have come to expect, very melodic, quite accessible, but varied. The production is good and clear. The style I guess is a mix of Camel and Glass Hammer with a dose of Genesis (check out the guitar work for instance during the long intro). Thus we have a full symphonic sound with equal roles for guitar and keyboards, and a good sense of melody